Tag Archives: munchi

The Moombootleg: An Unofficial History of Moombahton, Part 1

Even though it seems ubiquitous, devotees of moombahton must remember that their cherished genre is still a mystery to the music world at large. For those of us who have been following the ascendant sound, it’s easy to forget that most people can’t answer the question, “what is moombahton?”

Describing it as a Dutch house and reggaeton hybrid certainly doesn’t do the trick – that’s just jargon. You could try retelling the genre’s “origin story,” as it were, with Dave Nada slowing down a record into something more palatable for his cousin’s skip party, but that’s a setting, not a sound. Play the Nada-compiled Blow Your Head 2, and you get a specific vision of moombahton, albeit through Mad Decent’s rose-colored glasses. None of these give you a complete picture of a genre that has undergone so much in just over a year.

For those reasons and more, I’ve compiled The Moombootleg: 19 tracks over 80 minutes that attempts to present the story of moombahton for beginners. Moombahnistas might get a bit of nostalgia from these tracks, as I did when assembling it, but the real audience is your co-worker, your siblings, or even your parents, so they can finally understand moombahton. You can even fit it on a CD (remember those?) and let it blow the car speakers out as you educate your neighborhood.

Postcultural and TGRIOnline present… The Moombootleg: An Unofficial History of Moombahton

Dave Nada, “Moombahton”

The track that started it all. Its birth a 21st century accident: “Moombah” by Silvio Ecomo & Chuckie, remixed by Afrojack, made new by Dave Nada. The word “moombahton” had been floating around social networks since Nada played his new tunes at Winter Olympics afterparties, but the public didn’t hear it until he took over the decks at a pair of late night gigs, first at the Rock and Roll Hotel, and then post-KIDS at DC9. I was at the latter, and the visceral experience will stay with me forever.

Yeah Yeah Yeahs, “Heads Will Roll (A-Mac Moombahton Edit)”

One of the first producers to grab Dave’s edits and make some moombahton was Calgary DJ A-Mac. The original “Heads Will Roll” was already a hit, and A-Trak’s electro edit made it palatable for the dance floor. A-Mac’s edit of the latter was one of the first of many moombahton edits and remixes to spread like wildfire. I interviewed A-Mac; he would go on to put together the first Culipandeo mixtape for TGRIOnline.

Steve Starks, “Lydia (Nadastrom’s Moombahton Remix)”

Back in DC, Nouveau Riche party-starters Steve Starks and Nacey were prepping their second EP, and first for T&A Records, Time Run Out. Starks’ Latin house jam “Lydia” is built around a sample of the father of reggaeton, El General. With that lineage, it begged for a moombahton remix. Nadastrom obliged with this bonus track.

Munchi, “Metele Bellaco”

Munchi’s story dovetails nicely with that of moombahton. The self-described “kid with big hair that loves to make all kinds of music” had already released promo EPs in various styles – Baltimore club, baile funk and even dubstep – but it wasn’t until his moombahton promo that his name ricocheted through the electronic music community. “Metele Bellaco” is moombahton at its finest: the “Planet Rock” riff, the Yaviah rap, and the Dutch house drums could only come from a Dominican living in Rotterdam. This is how a global movement is built.

Dave Nada, “Punk Rock Latino (Moombahton edit)”

T&A continued its moombahton dominance, including this gem off the EP of the same name. While “La Gata” and “KRS Moombahton” are arguably more essential to the sound, this is practically Nada’s theme song, biography and motto all in one.

Heartbreak & Munchi, “Boneknuckles (Moombahton Remix)”

At TGRIOnline, Marcus Dowling and I had faithfully been covering every development in the genre, so when we received an email from Munchi it felt like Christmas. Munchi described the origin of each track on this collaborative EP with Charlotte producer David Heartbreak, in a verbose style that he would repeat in each successive announcement email. The Munbreakton EP brought hip-hop, R&B, baile funk, and bubbling influences to the forefront. Together or separate, there would be no moombahton without Heartbreak and Munchi.

Drop The Lime x East Flatbush Project, “Tried by Sex Sax (Doc Adam Moombahton Edit)”

For underground club-goers, Drop the Lime’s “Sex Sax” was the song of the summer in 2010. Portland’s Doc Adam mashed it up with a throwback to ‘96, East Flatbush Project’s “Tried by Twelve.” The remix refreshed DTL’s bass jam for moombahton fans.

Munchi, “Pun Aint Dead”

Following up where Munbreakton left off was the Fuck H & M promo. Only Munchi could mix salsa great Héctor Lavoe with rapper Big Pun and pull it off. The first of many anthemic moombahton bangers, the producer summed it up best: “Who the fuck invited Pun? Yeah I did, fuck you.”

Heartbreak, “Shy Day” and “King Kong”

Like Munchi, Heartbreak is an extremely prolific producer with a strong grasp on moombahton and its possibilities. That’s why TGRIOnline booked him to play with DJs Cam Jus and Obeyah. Unfortunately, the night was a bust, but it did get three rising producers in the same room. Heartbreak’s third Moombahma EP (M3) dropped that November, giving a name to moombahton’s first subgenres: the moombahsoul of “Shy Day” and the moombahcore of “King Kong.” Whether sampling Sade or Denzel, Heartbreak is a pro. Yet even he couldn’t have predicted the staying power of “King Kong:” “I do not expect people to dance to this shit, or even play it in the club, but fuck it, every song has its place… and [its] is the gutter.”

Check back tomorrow for the second installment of this unofficial history of moombahton, as the movement goes global while keeping DC at the forefront.

Download: The Moombootleg

EP Roundup: Munchi / Bok Bok / Skream

Three major names in underground electronic music released EPs, and each deserves a close listen. Don’t sleep on any of these future grooves.

MunchiRotterdam Juke

Ever since his remix of Nguzunguzu’s “Unfold,” bassheads have eagerly awaited more juke from Munchi. With the release of the Rotterdam Juke EP, Munchi delivers: over six tracks, Munchi presents a unique view of Chicago from a Dominican living in Rotterdam.

After a few months of hardship, Munchi announces his triumphant return with “Mi Ta Bek,” which features the iconic “guess I got my swagga back” sample (Jay Z by way of Datsik and Excision). The track, along with “Mamajuana,” have the same type of colliding beats of “Murda Sound,” off the EP of the same name.

As always, Munchi’s melting pot style is on full display. The sweet sorrow of Dominican bachata compliments the rapid-fire toms of juke on “Andando,” and only Munchi has the audacity to sample Rage Against the Machine’s “Bull On Parade” – and the ability to pull it off – like he does on “Paperchase.” “Straat Taaki” (“Street Talk”) has less overt juke influence, but the raw, uneven traphouse beat is straight gangsta. The stand out track is “Yazzer Tin Air Max,” which is pure, uncut footwork.


Bok BokSouthside EP

Night Slugs co-founder Bok Bok takes a break from running the world’s hottest electronic label to release his first ever solo EP. With an 808 in one hand and a 303 in the other, Bok Bok is at his finest, crafting dark, sexy soundscapes that push the boundaries of post-dubstep/post-UK funky dance music.

On “Charisma Theme,” airy synths permeate a sensual beat that has that Night Slugs je ne sais quoi. “Hyperpass” is unrelenting tech house, and “Reminder” has exotic synth lines that give it an Eastern feel. Southside closes with the sinister grime of “Silo Pass” and “Look Dub;” the former is a more dense composition, but the latter imbues the empty space with eeriness.


SkreamSkream EP

While Bok Bok takes a break from his, Skream disengages from Magnetic Man for a major release on his own label. The self-titled EP on Disfigured Dubz brings together four tracks that Skream has been annihilating audiences with. “Heavy Hitter” and “Rigging” have the midrange wobble of “classic” dubstep; while done to death by other producers, the technique still feels vital in Skream’s hands. “Sea Sick” does the same, with descending synths that perfectly capture the feeling of the song’s title. The best track is “Hats Off,” where he returns to the well, combining a Loleatta Holloway vocal and the “amen” break into something more ravey than his breakthough hit “Burning Up.”


The return of moombahton masters Heartbreak and Munchi

Since pairing up on the Munbreakton EP last June, Heartbreak and Munchi have both come a long way. The duo has been a guiding force in the development of moombahton, consistently pushing boundaries and even planting the flags on derivative genres. Seven months after their last collaboration – Fuck H & M – and they’re back for the crown.

Moombahsoul, the most promising 108 BPM subgenre, is well represented here. John Legend’s “Ordinary People” and Jay Z’s “Song Cry” become “The Legend” and “Me and My Bitch,” respectively. Add those two superstars to the list of artists (LL Cool J, The Fugees, Big Pun, DeBarge, etc.) that have been given the moombahton treatment, with stellar results.

Munchi’s “Learn” and Heartbreak’s “Jump Up & Twist” have sharper edges; on these tracks, the tropical bass movement comes full-circle as the dembow rhythm is applied to reggae, dancehall and bashment. The EP reaches the proverbial 11 on a pair of moombahcore tunes. Heartbreak, arguably the inventor of the dubstep-moombahton hybrid, picks up where “King Kong” left off on “Doomsday.” Munchi’s remix of “Warface” by dubstepper Jakes gives an even more martial feel to the Full Metal Jacket sampling original.

Munchi shouldered the blame for this release’s delay, but after the last couple of months, I think his friends and fans are just happy to see him return to form. In his own words: “This promo went from being Moombahsoul to Moombahcore to Moombashment to ‘You know what, fuck it lets just put this shit out.‘” Long live the kings of moombahton!

Download: Heartbreak and Munchi – H/M

Bonus: DJ Ayres released ten edits and blends that he whipped up for last week’s Moombahton Massive. In the spirit of free moombahton, grab the tracks from Soundcloud.

The irrepressible spirit of Munchi

For the last year, Rotterdam’s Munchi has a been a breath of fresh air in the electronic music scene. Highly prolific with boundless creativity, the 21-year old seamlessly molds moombahton, Baltimore club and countless other genres into his trademark sound.

Last month, Munchi had a seizure caused by an intracerebral hemorrhage, despite no prior condition. He spent 9 hours in a coma and 11 days in the hospital recovering. Without US medical insurance, expensive medication or a way back to Rotterdam, his situation looked dire. Thankfully, friends DJ Ayres, Tittsworth and Dave Nada rose to the occasion, matching donations to help Munchi’s cause. They’ve helped raise over $5,000 in just three days, but anyone who has dealt with out-of-pocket medical costs knows that there is much work to be done. Take this opportunity to give today.

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In true Munchi style, the producer was working on beats as soon as he woke up from the coma. His recently posted material is as vibrant as ever, from the moombahsoul of “Calor” to the Bmore-infused remix of “Carnival Madness.” His remix of Nguzunguzu’s “Unfold” adds juke to his ever-evolving bag of tricks, and the track is simply massive.



As if that wasn’t enough, the Crookers have released their version of Munchi’s “Murda Sound” for free to help raise awareness around the fundraising drive.

Moombahton continues to grow thanks to a supportive, collaborative community. It’s great to see so many people come together for something bigger than the music.

EP Review: Munchi – Murda Sound


Covering music on the leading edge is hard work. Between filtering through recommendations by artbiters of culture and unearthing new sounds and styles by happenstance, there are plenty of ways to go out about it. However, it usually isn’t delivered fully-formed, swaddled like an infant on the stoop of an orphanage. But with the discovery of Munchi, that’s what it feels like.

Munchi, the Dominican in Rotterdam, nearly as synonymous with moombahton as Dave Nada, has arrived. But like TGRI’s Artist of the Year, it’s clear that Munchi is far more than a producer of one style, and his debut EP, Murda Sound, proves that beyond the shadow of a doubt.

Murda Sound is a six song EP, released today on T&A Records. Throughout, Munchi’s range of influence (hinted at on his various moombahton releases) is even more impressive than expected.

The EP kicks off with the electro-dancehall of “Shottas” (featuring Mr. Lexx) and it’s club edit, propelled by an uneven, syncopated beat and the ubiquitous toast “wake up and tell the people.”

“Toma Essa Pora” is a Baltimore club meets baile funk banger, with chopped up samples that are juke-like in their intensity and urgency. The song even includes the oft-sample “Darkest Light” by the Lafayette Afro Rock Band (ed. note: thanks to Cam Jus for identifying this).

The club fest continues on the title track, which lives up to it’s name. The song starts with the mind-shattering take on club that we’ve heard from Nadastrom and Steve Starks. But halfway through, things get much more intense, with B-more breaks and some sinister bass blasts. This is probably the darkest, most futuristic take on club since Dave Nada’s “Apocalypse Theme.”

The back-end of the EP finds Munchi flexing his mellow side. “Hope” is a down-tempo R&B groove that devolves into smoothbahton, again, with a vocal sample reminiscent of juke. “Madre, no llores” is some purple dubstep that might actually bring a tear to your eye.

Munchi is a jack of all trades, and master of all. Murda Sound is the first proper look at a producer ready to make moombahton and dancehall, club and dubstep all his own. Throughout, Munchi’s trademark whistle sample announces his arrival like “The Farmer in the Dell” announced Omar on The Wire. And while Omar went after drug dealers, Munchi’s coming for other producers. My advice for them? “You come at the king, you best not miss.”

FIVE OUT OF FIVE STARS.

Munchi steps up his kuduro game

Kuduro is to Angola what baile funk is to Brazil: energetic dance music born in the melting pot of local and international influences. Sidestepping a discussion of the pros and cons of globalization, it’s fair to say that these amalgamated styles are benefits of cultural exchanges. Kuduro, thanks to the influence of Portuguese musicians, is blessed with both African and Latin rhythms, along with the distinct sounds of mainstream EDM. The genre had an underground hit in 2008 when MIA teamed up with leading purveyors Buraka Som Sistema.

In the spirit of global musical exchange, Munchi, the moombahton king of the Netherlands, is trying his hand at kuduro with his Kuduro Promo.

Munchi continues to select the perfect tracks for his genre-bending endeavours. His take on “Milkshake” samples bits and pieces of the Kelis hit into something entirely new, and in what he calls a Kuduro-more bootleg remix, Munchi corrupts the French electro of Sebastian’s “H.A.L.” into a bass-thumping, gun-cocking adventure.

Munchi originals “Minigame 2000” and “Ta Maluco” are stripped down and raw: squealing chiptune melodies, non-stop beats and Angolan chants. The same can be said of the two bonus tracks, leftovers from an earlier version of the EP. However, the highlight of the promo is his remix of Steve Starks’ “Git Em.” While the original is a Miami-meets-Baltimore percussion grenade, Munchi’s version is more of a laser-tag battle. But like the original, it does just what the title says.

Throughout history, musical genres have been created by forces much larger than the musicians themselves, be it slavery, imperialism or globalization. Adding the Internet into the mix accelerates the process without the oppression, letting a kid from Rotterdam make a name for himself with sounds that originated a world away.

Munchi unites a movement with the Summer of Moombahton compilation


It’s customary to receive gifts on your birthday. On his cumpleaños, moombahton pioneer Munchi flipped the script, releasing Summer of Moombahton, a compilation of the greatest hits of a genre still in it’s infancy.

The comp is split into two discs: “Past” and “Future,” a concept that is a little preposterous for a style that is less than a year old. However, with the fervor that moombahton has captured the zeitgeist of the electronic music scene, it’s not totally inappropriate. We’re already seeing the sound evolve, with producers introducing elements of cumbia, Baltimore club, and hardcore.

Summer of Moombahton hits the touchstones of the genre, and its perfect for newbies and completists alike. Most of these songs are available elsewhere, but it’s great to see all of these DJs working on a free project and coalescing the movement. TGRIOnline declared this the summer of moombahton, and this mix only confirms it.

Tracklist for Summer of Moombahton


Past
1. Dave Nada – La Gata
2. Sandro Silva – Told Ya (Melo Moombahton Edit)
3. Yeah Yeah Yeahs – Heads Will Roll (A-Mac Moombahton Edit)
4. N.A.S.A. – Watchadoin (Alvaro Remix – Uncle Jesse Moompatron Edit)
5. Lady Gaga – Alejandro (Afrojack Remix – Audio1 Moombahton Edit)
6. Rihanna – Rude Boy (Tommie Sunshine Mix – Morningstar Moombahton Edit)
7. Neoteric – Hey Got Lines
8. Drop The Lime vs East Flatbush Project – Tried by Sex Sax (Doc Adam Moombahton Edit)
9. DJ Apt One vs Josh Wink – Higher State of Moombahton
10. Slap & Dash – Fried Toy Moombahton
11. Knight Riderz – Party Alarm (Wyld Stallyns Moombahton Edit)
12. Munchi – Sandungueo

Future
1. Modjo – Lady (A-Mac Moombahton Rmx)
2. Picksterone & Melo – Mas Poderoso
3. Sabo – No Pare Moombahton
4. DJ Epidemic – Ravaged Toadstool Girls
5. Hyper Crush – Ayo (Wyld Stallyns Moombahton Edit)
6. Moombahtron – Space Runner
7. David Heartbreak – Moombahma (Munchi Edit)
8. Sabbo – Make It Sexy
9. Sigur Ros – Saeglopur (Yeah! Remix)
10. Riggs & Murtaugh – Moombalator
11. Kid Kaio – We Don’t Give a Fuck (Uncle Jesse Fuckin’ Moombahton Edit)
12. Datsik – Firepower (Munchi Moombahcore Rmx)