Category Archives: notes

Win Neko Case's 1967 Mercury Cougar and help young writers

Neko Case is giving away her 1967 Mercury Cougar, made famous on the cover of 2009’s Middle Cyclone, in a raffle to benefit 826 National, which provides free tutoring and literacy programs to more than 24,000 students in eight cities nationwide. Co-founded by Your Favorite Author Dave Eggers, 826 chapters produced 800 student-authored publications last year, with all programs free of charge for students, classes, and schools. 826 recently opened a branch in Columbia Heights.

The deadline to enter the sublimely titled Cougar-rama Muscle Car-‘splosion is less than three weeks away, and tickets can be purchased now (one ticket costs $45, two tickets costs $75, and all extra tickets after two cost $25 each). The Grand Prize winner will be selected on March 18; in addition, 826 National will draw a prize per day beginning Monday, March 14. Prizes will include:

  • Neko’s limited-edition 1966 Gretsch Silver Duke guitar
  • A Gibson acoustic guitar signed by members of the Speaking Clock Revue including Elton John,
    Elvis Costello, Dr. Ralph Stanley, Leon Russell, and T Bone Burnett
  • A Carr Amplifier
  • Music from Matador Records, SubPop Records, Secretly Canadian, and Astralwerks

Check out this ride, and watch Neko make the case (see what I did there?) for entering:

Ready for the weekend

Maybe it was the holiday-shortened work week, maybe it was the U Hall induced bass hangover, but I need the weekend to be here now. So, what’s on deck?

The Plan

The Soundtrack

NYC by-way-of Prague DJ Ingtzi tipped me off to one of his recent sets, featuring glitchy, bass-heavy takes on crowd pleasers – everything from Radiohead to Ginuwine to the B-52s. Check it out, and don’t fear the wobble!

Ready for the weekend

Here in DC, it’s 70 degrees outside, and the good weather looks to continue through the three day weekend. It might not be spring yet (it could still snow next week), but you might as well enjoy it while you can.

The plan

  • Tonight, celebrate 50 local artists, 20 local designers and the opening of the garmentDISTRICT Temporium. A $10 donation gets you in, including a party at Lux featuring DJs Stereofaith, Keenan Orr, Trevor Martin, Ratt Moze, and Chris Nitti.
  • Don’t miss Klever, the Luvstep DJs and Obeyah at U Hall on Saturday for a serious night of bass.
  • Stop by Velvet Lounge on Sunday for the preeminent night in cold music as Denman and Sean Gray present No Love Lost.

The soundtrack

Grahmzilla, formerly of Thunderheist and currently of Bassanova, just unleashed an appropriately titled mix: F*ck Winter 2011. The mix is a nonstop hour of for-the-moment tropical bass. There’s plenty of Nada, Munchi, and Mele to go around, along with brand new heat in the form of French Fries “Laquisha” and Julio Bashmore’s “Battle for Middle You.”

Tracklist
munchi – gracias
dave nada – ruffcut
benga – night (sabo moombahton edit)
cassie – long way to go (mele canoa mix)
roska & jamie george – wonderful day (dave nada moombahton edit
bassanovva – chicken lover (munchi remix)
jam city – magic drops
brenmar – boy u got me
richelle – bendin’ (lolboys remix)
french fries ft. taiwan – laquisha
mele – trappin
slap in the bass – egypt (grahmzilla 3ball remix)
untold and roska – long range
sbtrkt and sinden – seekwal
julio bashmore – battle for middle you
gyptian – hold yuh (toddla t remix)
savage skulls and douster ft. robyn – bad gal
boy 8-bit – tropical heat
schalachtofbronx ft. timberlee – the bassdrum
optimum – ds10
vado – hands down

Welcome to Postcultural

So, why another blog?

In 2011, that’s a fair question. We’re all inundated with blogs and tumblrs, tweets and updates. But after writing at my site (Synergizing Backwards Overflow) and contributing heavily to another (True Genius Requires Insanity), I’ve decided to take my own content to the next level. For posterity’s sake, the archives already include most of my online writing.

Does the digital space need another self-appointed arbiter of taste?

Those who attempt to be definitive in deciding what is culturally worthwhile and relevant are bound to fail. I’ll admit that my tastes are typical of many underground-focused, urban professionals in quarterlife crisis. We’re all going off the same signifiers and signposts; hopefully, I’ll write about something you haven’t seen yet, or offer a new perspective on something you have.

Welcome, and enjoy.