EP Roundup: Nguzunguzu / Little Dragon / How to Dress Well

Remixed, remade, or rearranged, we are long past the point where songs exist separately from their other versions. Three groundbreaking artists demonstrate this fact on recent releases.

NguzunguzuTimesup

Ascendant masters of future bass Nguzunguzu have the honor of releasing the first EP on Kingdom‘s Night Slugs-affiliate Fade to Mind. There’s much more than namedropping here, though. The tracks bubble, surge, and sway with waves of bass, video game (not chiptune) synths, and big ass timpanis; the title of “Water Bass Power” is instructive.

Two remixes round out the disc. In true rhythm and bass style, Kingdom screws a Nicole Wray sample into the title track; contemporaries Total Freedom give “Wake Sleep” a violent, creepy edge.

[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/07/water_bass_power.mp3″ text=”Nguzunguzu – Water Bass Power” dl=0]

Little DragonRitual Union

Little Dragon doesn’t stray from their sound on “Ritual Union,” the title track on their forthcoming album. The song bounces along with a slinky bassline, electronic chirps, ricocheting drums, and of course, Yukimi Nagaon’s silky smooth vocals.

Remixes from producers Maya Jane Coles and Tensnake accentuate different elements – the guitar melody and the percussion section, respectively – but the focus is on Yukimi (as is usually the case). Also included is a remix of “Nightlight” by Unknown Mortal Orchestra, who turn the song into a psychedelic tableau of Eastern-flavored rock.

[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/07/ritual_union.mp3″ text=”Little Dragon – Ritual Union” dl=0]

How to Dress WellJust Once

The limited pressing Just Once gives R&B deconstructionalist How to Dress Well (aka Brooklyn artist Tom Krell) a chance to step out of the bedroom and into the orchestra pit. A tribute to a friend who committed suicide, the EP includes orchestral versions of formerly gauzy, ethereal songs from his debut, Love Remains.

Sinewy strings imbue Krell’s falsetto with an even greater sense of loss, heartbreak and sorrow. However, the beauty of these arrangements turns somber proceedings into something hopeful (or at least not as depressing as it could be). “Suicide Dreams 3″ will appear on the next HTDW album.

[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/07/suicide_dream_3.mp3″ text=”HTDW – Suicide Dream 3” dl=0]

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