Tag Archives: nguzunguzu

The underground kings of Fade to Mind

If Night Slugs was the finest label of 2010, a case could be made that sister label Fade to Mind wore the crown last year. While not matching the output of the prolific London imprint in quantity, Fade to Mind has made a mark by documenting the most exciting developments in American club music.

The brainchild of LA’s Kingdom and Texas producer Prince William, Fade to Mind is more than a label: it’s a collective of like-minded artists who produce club music that maintains the rough edges of its underground origins. Fade to Mind doesn’t seem interested in “mainsteaming” these cultures as much as uniting underground scenes from LA to New York and all points in between.

After releasing a limited-edition, bootleg mix CD, Fade to Mind’s first official release was the superb Timesup EP by standard bearers Nguzunguzu. The EP is an exploration of mutated bass music that oscillates between sensual and creepy. The video for standout “Water Bass Power” features the off-kilter, aquatic weirdness that defines seapunk.

New Jersey’s MikeQ has become synonymous with the the recent re-emergence and popularity of ballroom music. Fittingly, his first major release, Let It All Out, was Fade to Mind’s second. The EP is an introduction to vogue staples like the Ha beat and speakers like Kevin JZ Prodigy; it even includes a remix by genre originator Vjuan Allure. Continuing to delve into ballroom, the label just dropped a free EP from Massachusetts producer Rizzla, who, along with spinning the Ha (“Badmind Ha”), takes on tropical rave (“Psychoton”). In true ballroom style, “Dick” is a sexed up club track based on a Lil’ Kim sample that you can figure out from the title.

[wpaudio url=”/wp-content/uploads/2012/04/03 DICK.mp3″ text=”Rizzla – Dick” dl=1]

Fade to Mind hasn’t stopped there, also releasing an EP by the label’s lone European (for now): Gremino. The Finnish producer’s Let’s Jack is a percussive, aggressive take on techno and grime. The breakbeats on “Lush” shake foundations and the midrange pulses on the title track are haunting. Rounding out the collective’s lineup are artists Total Freedom, Cedaa, Clicks & Whistles, and Fatima Al Qadiri, collaborators who will hopefully be releasing music through the label soon.

Want to hear what Fade to Mind is all about without going to their LA-based monthlies? These twin mixes from the label heads do the trick. Just rest assured you’ll be hearing more from Fade to Mind sooner than later.

[wpaudio url=”http://fadetomind.net/audio/ftm_mix_001.mp3″ text=”Prince William – Fade to Mind Mix 001″ dl=1]

EP Roundup: Nguzunguzu / Little Dragon / How to Dress Well

Remixed, remade, or rearranged, we are long past the point where songs exist separately from their other versions. Three groundbreaking artists demonstrate this fact on recent releases.

NguzunguzuTimesup

Ascendant masters of future bass Nguzunguzu have the honor of releasing the first EP on Kingdom‘s Night Slugs-affiliate Fade to Mind. There’s much more than namedropping here, though. The tracks bubble, surge, and sway with waves of bass, video game (not chiptune) synths, and big ass timpanis; the title of “Water Bass Power” is instructive.

Two remixes round out the disc. In true rhythm and bass style, Kingdom screws a Nicole Wray sample into the title track; contemporaries Total Freedom give “Wake Sleep” a violent, creepy edge.

[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/07/water_bass_power.mp3″ text=”Nguzunguzu – Water Bass Power” dl=0]

Little DragonRitual Union

Little Dragon doesn’t stray from their sound on “Ritual Union,” the title track on their forthcoming album. The song bounces along with a slinky bassline, electronic chirps, ricocheting drums, and of course, Yukimi Nagaon’s silky smooth vocals.

Remixes from producers Maya Jane Coles and Tensnake accentuate different elements – the guitar melody and the percussion section, respectively – but the focus is on Yukimi (as is usually the case). Also included is a remix of “Nightlight” by Unknown Mortal Orchestra, who turn the song into a psychedelic tableau of Eastern-flavored rock.

[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/07/ritual_union.mp3″ text=”Little Dragon – Ritual Union” dl=0]

How to Dress WellJust Once

The limited pressing Just Once gives R&B deconstructionalist How to Dress Well (aka Brooklyn artist Tom Krell) a chance to step out of the bedroom and into the orchestra pit. A tribute to a friend who committed suicide, the EP includes orchestral versions of formerly gauzy, ethereal songs from his debut, Love Remains.

Sinewy strings imbue Krell’s falsetto with an even greater sense of loss, heartbreak and sorrow. However, the beauty of these arrangements turns somber proceedings into something hopeful (or at least not as depressing as it could be). “Suicide Dreams 3″ will appear on the next HTDW album.

[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/07/suicide_dream_3.mp3″ text=”HTDW – Suicide Dream 3” dl=0]

Future Grooves: Nguzunguzu

Nguzunguzu is a DJ/production duo comprised of LA locals Asma Maroof and Daniel Pineda. While nguzu nguzus were traditional totems in the South Pacific, this Nguzunguzu is more concerned with dance floor ecstasy than spiritual protection.

Their self-titled (and free) EP is a hyperactive blend of house, club, juke and tropical influences. The only respite from the unrelenting chaos is the eerily moody “Moments in Sex.” There’s nothing ambient about the hyperactive tribal guarachero of “El Bebe Ambiente,” and “Got U” is a claustrophobic banger based on a sample from Drake’s “A Night Off.” On a recent remix, Canblaster and Berou focus the song into big room house.

[wpaudio url=”/wp-content/uploads/2011/04/got_u_canblaster_berou.mp3″ text=”Nguzunguzu – Got U (Canblaster and Berou remix)” dl=0]

The duo’s Mirage EP is a more cohesive set of sounds, and although it was released by Silverback Recordings, it would fit in the Night Slugs catalog nicely. The entire EP teams with poly-rhythms – bits and pieces of overlapping percussion that fight for attention. “Rec Loose” features a bass melody right out of classic dubplates and breaks down into a warm mix of yawning synths. “Unfold” is a spooky drumline rave; Munchi’s remix is best described by its title: “Munchi likes excessive amounts of bass mambo juke remix.”

[wpaudio url=”/wp-content/uploads/2011/04/rec_loose.mp3″ text=”Nguzunguzu – Rec Loose” dl=0]

[wpaudio url=”/wp-content/uploads/2011/04/unfold_munchi.mp3″ text=”Nguzunguzu – Unfold (Munchi remix)” dl=0]

As Nguzunguzu shipped off to Europe for a series of dates, they dropped a brief promo mix that ranges from tropical house to rhythm and bass. This is global dance music at its finest – and weirdest.

Download: Nguzunguzu – Europe Mini Promo Mix
Download: Nguzunguzu EP