Tag Archives: deathface

EP Roundup: Torro Torro, Deathface and Toy Selectah

Happy Fat Tuesday! Most of us are not in New Orleans for Mardi Gras, so what better way to celebrate the gluttonous (and hedonistic) day than with three new releases from leading labels? Here are some beads: show us your EPs.

Torro TorroBlue Blouse (T&A Records)

The Toronto-based duo drops an early-2011 anthem: a slab of electro-house goodness, with throwback synth stabs and an addictive sample. The EP features remixes from top producers, who ably capture the spirit of the original without suffocating it. Zombies for Money give the song the tribal treatment and sharpen the edges on the synths (similar to their take on Steve Starks’ “Git Em”). The standout is the ultra-deep, super-funky remix by T&A’s own DJ Ayres.

DeathfaceFall of Man (Trouble & Bass)

Forget bro step. The hardest, most unforgiving sounds in the bass world come from Deathface. Claiming inspiration from influences as diverse as 90s hardcore and Magic the Gathering, Deathface’s follow-up to The Horror is simply brutal – what Al Jourgensen would be making if he was born in the 80s. The EP kicks off with the acid rave of “Bloodrave” and the surging “Fall of Man.” Offered with vocals and as dubs, “Gift of Fury” and “Sick of It” feature new member Adri Law (think Crystal Castles’ Alice Glass) who screeches over the unrelenting tracks.

Toy SelectahMex Machine (Mad Decent)

Toy Selectah was making global bass before it was cool (well, cool for bloghaus EDM fans). This Mad Decent EP features eight tracks over a range of sounds, from cumbia to tribal guarachero. Highlights are the jukey raverton of “La Ravertona” and Sheeqo Beat’s 3BallMTY remix of “Sonidero Compay.” The mini-mix is a good taste, but you’re going to want the full entree.

Mishka gets dark with Deathface

New York clothing line / record label / rules of the universe Mishka are underground tastemakers. Their designs have defined hipster chic since its founding in 2003, and its series of Keep Watch mixtapes has been just that: mixes from some of the fastest rising stars in electronic dance music. Major Lazer, Rusko, Skream, and Nadastrom are just some of the acts that have contributed to the series in what is becoming an underground rite-of-passage.

Next up is recent Trouble & Bass signee Deathface. As Deathface, Johnny Love – formerly of Guns ‘n’ Bombs – is leading the way in creating dubstep that is sonically and thematically darker than ever before. His Horror EP is equal parts bass and blood, and his Mishka mix is no different.

The mix starts our ominously enough, with the grim horns of Benga‘s “Rock Music” descending into some two-step wobble. Goth-wave duo Blessure Grave are given remix treatment on “Strangers in the House,” set to be the first release from Mishka’s record label.

The entire mix is an unrelenting, dark grindfest, but it really hits it’s stride about midway through, as Deathface’s remix of the Mexican Institute of Sound’s “Cumbia” fades into hit-of-the-moment “Sex Sax.” When Mishka says, “Keep Watch,” it’s best to listen.

Dubstep Dossier: Deathface

Bloghaus duo Guns ‘n’ Bombs broke up last summer, jumping off the electro bandwagon right before it careened into the next wave of EDM. Their last release, the funky dubstepper “Samba Death Squad,” hinted at the dark things to come for one of its members, both sonically and thematically.

Johnny “Love” dal Santo now goes by the name Deathface. The recent Trouble & Bass signee grinds out heavy, death metal-influenced bass, tracks that are perfect for a dubstep mosh pit. Imagine Salem but sped up for the dancefloor; demonic industrial that would make Al Jourgensen proud. Check out his grimly-titled “The Blood Has Gone Black” mixtape. It’s a balanced mix of originals with killer remixes, like his throbbing take on “Cumbia” by the Mexican Institute of Sound.

Deathface’s debut EP, The Horror, was released on Tuesday, and it proves that Goth kids don’t just have to look menacing outside Hot Topic – they can get in on some hands-in-the-air raving, too. Demonic shrieks and semi-automatic drum fills complement the familiar breakbeats and wobble of dubstep. When Satan wants to party, he listens to Deathface.

Deathface is on his American Gothic Tour and stops by the Temple of Boom tonight as part of the Trouble & Bass DC takeover. As if a bill with the T&B crew, AC Slater, and Mad Decent’s Mumdance wasn’t enough.