Tag Archives: upfronts

Network upfronts: Drama edition

While I have a firm grasp on network comedy, I’m not as comfortable with network dramas. For the most part, I don’t watch them. In the last decade, the rise of the procedural mirrored the rise of cable dramas, whether premium (The Sopranos, Dexter) or basic (The Shield, Mad Men). I’ve devoted much more time to the latter, which the rare exception of something groundbreaking like Lost. Still, a rose is a rose is a rose. Here’s a look at the networks’ dramatic offerings this fall.

NBC: Anything you can do, I can do, too. Part 1

For the most part, the last place network is looking to break their losing streak by opting for ideas that have worked beofre. Grimm, from the non-Whedon folks behind Buffy and Angel, mines similar territory with a high concept procedural that asks “what if the Grimm fairy tales were real?” Smash looks to cash-in on the musical craze, and even features an American Idol veteran, Katharine McPhee. The Playboy Club apes Mad Men, but in attempting to be everything to everyone, it seems unfocused; the sex, lies and murder drama would probably work better on cable. In Prime Suspect, Maria Bello tries to break into the homicide detective boys-club; the series was long-running and critically acclaimed in the UK, with Helen Mirren in the lead role. The trailer shows promise, but it’s tough to get attached to a cop show these days.

The exception to my “no more cop shows” rule just may be Awake, the dream-versus-reality thriller that is drawing comparisons to Inception. Sure, there is a police procedural here, but the premise sets it apart. After surviving a car crash, Mark Britten (Brotherhood‘s Jason Isaacs) lives two separate, parallel lives: one in which his wife survived instead of his son, and vice versa. He goes to sleep in one and wakes in the other, unsure of which is the dream. The trailer is chilling; I’ll definitely be watching this one.

ABC: Anything you can do, I can do, too. Part 2

ABC’s line-up is very similar to that of NBC, opting for the familiar and proven over real innovation. In several places, ABC and NBC are using the the same ideas: ABC’s schedule includes a “fairy tales are real” show in Once Upon a Time, and gives a woman’s perspective on the Mad Men / Catch Me If You Can time period with Pan Am.

I will admit, I’m not in the target audience for most of their other offerings. RevengeThe Count of Monte Cristo in the Hamptons – is bait for O.C. and Gossip Girl fans. Shonda Rhimes’ Scandal is Private Practice in the PR world. Good Christian Bitches Belles gets an adaptation and Charlie’s Angels gets a reboot. Yawn.

The only intriguing show is ABC’s attempt to recapture the magic of Lost. In The River, a Steve Corwin type goes missing in the Amazon. His family and crew try to find him, running into some shaky cam creepiness along the way, courtesy Paranormal Activity‘s Oren Peli. Like some of this fall’s comedies, however, this premise looks better suited to film than to TV.

CBS: Procedurals until we die!

CBS only added three new dramas, and two of these are approaching new levels of unintentional parody. A Gifted Man stars Patrick Wilson as a surgeon who gets help from his dead ex-wife. Unforgettable‘s main character has hyperthymesia, and can remember literally everything that’s ever happened to her; I wonder if that will help her solve crimes!

The winner here is Person of Interest, a crime thriller (with a sci-fi twist) executive produced by Jonathan Nolan (The Dark Knight) and J.J. Abrams (Lost). Lost‘s Michael Emerson and James Caviezel use surveillance knowledge and CIA training, respectively, to prevent crimes before they happen.

FOX: Gettin’ high (concept)

And the loser is Fox. Their line-up includes a spin-off of Bones called The Finder, about an eccentric, offensive skeptic who can find anything (House with an internal GPS?). Then there’s the time travel plus dinosaurs extravaganza Terra Nova which is getting by because it has an executive producer named Steven Spielberg. Kiefer Sutherland will return to Fox next year, but Touch, about a man with a precognitive autistic child, hasn’t filmed yet. J.J. Abrams tries to save another network’s fall line-up, but his time travel mystery Alcatraz looks a little absurd (at least it has Hurley!).

Network upfronts: Comedy edition

It’s upfront season, when each TV network presents a grand vision for their fall schedule. New shows are hyped up and old shows are given the boot, all with masturbatory excitement: “this is our year!” What used to be an insider, industry-only process is now – like everything – subject to the Internet’s buzz cycle.

As someone who consumes TV exclusively time-shifted, upfronts are a reminder that things like time slots are still the bread-and-butter issues of the industry. A strong lead-in or a well constructed block of programming can make or break a show. With that in mind, what new shows do the networks have in store, and which look worthwhile? Let’s take a look at new comedies.

NBC: Buzzworthy picks and the Year of the Woman

The hype for Up All Night looks to be well-deserved. Starring Christina Applegate, Will Arnett, and Maya Rudolph, and created by writer Emily Spivey (SNL, Parks & Recreation), the parenthood-workplace hybrid has the pedigree of a comedy hit. One red flag is NBC’s decision to have it start off Wednesday nights instead of slotting it into the Thursday night block, with similarly-minded sitcoms.

Paired with Up All Night is Free Agents, an adaptation of a British series of the same name. The brilliant Hank Azaria returns to TV (after the short-lived Huff) as Alex, a PR exec coming out of a messy divorce and simultaneously carrying on a complicated relationship with co-worker Helen (Kathryn Hahn). Anthony Head (of Buffy fame) reprises his role from the UK version as Alex’s sex-crazed boss. Supporting are Joe Lo Truglio, Natasha Leggero and Al Madrigal, all veterans of underground comedy. Free Agents is being written by John Enborn (Party Down, Veronica Mars) and original series creator Chris Neil.

Building on the success of female-driven comedies like 30 Rock and Parks & Rec, NBC returns to the well with several shows created, written, and starring women. First, the Peacock is getting back in on the multi-camera game: unfortunately, both Whitney (the vehicle for fast-rising comedian Whitney Cummings) and Are You There Vodka? It’s Me Chelsea (the adaptation of Chelsea Handler’s book of the same unwieldy name) look pretty staid, especially since both Cummings and Handler will need to tone down their comedic stylings considerably for network TV. Whitney will have the advantage of taking the coveted post-Office time slot.

Lennon Parham and Jessica St. Clair co-created and co-star in Best Friends Forever, a single camera relationship comedy, and while the clips didn’t catch me, the show could be a sleeper. BFF could play out like new favorite Happy Endings; coincidentally, Happy Endings‘ Adam Palley appears in the BFF pilot but will be recast, due to the former’s renewal. Rounding out the line-up is Bent, starring Amanda Peet, with a limited premise that is more suited to film: high-strung lawyer meets slacker contractor, love/hate relationship ensues. At least the cast includes Jeffrey Tambor. Vodka, BFF and Bent are being held until mid-season.

ABC: Men behaving badly (mostly)

Most of the premises for ABC’s new comedies are groan-inducing takes on modern masculinity. Tim Allen returns to TV in Last Man Standing, under siege from his wife and daughter. The succinctly-titled ensemble comedy Man Up features married men who only wear the pants in their online game worlds. Worst of all is the men-in-drag (!) sitcom Work It. ABC skips the subtlety in their naked appeals to the lucrative “manly man” demographic, so feel free to skip these.

The only shows with promise on ABC are Suburgatory and Apartment 23. Suburgatory works well-worn territory – the suburbs suck! – but Jeremy Sisto and Cheryl Hines are talented comedic actors. Apartment 23 (formerly Don’t Trust the Bitch in Apartment 23) was created by Nahnatchka Khan (American Dad) and Dave Heminson (How I Met Your Mother, Just Shoot Me) and stars Krysten Ritter (Breaking Bad, Veronica Mars) as a roommate from Hell. Similar to Episodes, the show features James Van Der Beek as a fictionalized version of himself, but also like Episodes, I’m not sure how many Dawson’s Creek and Varsity Blues jokes they can manage.

FOX: It’s okay, these will be canceled soon!

Fox offers four comedies (two live action, two animated) and only one, The New Girl, shows much promise. Zooey Deschanel stars, combining her usual “manic pixie dream girl” fare with a touch of Liz Lemon and a My Boys-esque plot. Fempire member Liz Meriwether created the show, which (like BFF) will need to re-cast an actor (Damon Wayans Jr.) because of Happy Endings‘ renewal.

I doubt that the multi-camera I Hate My Teenage Daughter, uber-timely Napoleon Dynamite cartoon, or animated Jonah Hill vehicle Allen Gregory will be around next fall. If I had to choose one to succeed, I’d put my money on Allen Gregory, with Hill writing and voicing a precocious seven year old.

CBS: Procedurals pay the bills

It always surprises me that CBS is a dominant network, since I never watch it (with the exception of How I Met Your Mother). But they clearly know what 18-49 year olds want (myself excluded). CBS gave Whitney Cummings her second pilot of the year, 2 Broke Girls, which she co-created with Michael Patrick King (who wrote both Sex and the City movies, shudder). I have higher hopes for How to Be a Gentleman, written and directed by David Hornsby (It’s Always Sunny in Philadelphia) with comedy veterans Kevin Dillon (Entourage), Mary Lynn Rajskub (24, Mr. Show) and Dave Foley (Newsradio). (CBS was the last to present, so no show previews are available to hoi polloi as of yet.)

Check back tomorrow as I examine this fall’s network dramas.