Kingdom is a producer that epitomizes my recent obsession, a trend I’ve coined rhythm and bass. The Brooklyn-based producer draws on all types of electronic music – dubstep, UK funky, juke, and kuduro, to name a few – along with the sultry vocals and melodic bent of R&B. With releases on leading labels Night Slugs and Fools Gold, along with a pick on the Trouble & Bass-curated Sounds of NYC EP, Kingdom finds himself at the forefront of a music revolution.
His debut single, the wobbly raver “Mind Reader,” received remixes from Night Slugs label heads Bok Bok and L-Vis 1990, who both altered the song’s tempo to reveal different aspects of its character. Bok Bok’s take is slower, putting Shyvonne’s vocals in the forefront; the remix by L-Vis amps up the song’s already high energy.
Kingdom returned the favor by releasing That Mystic on their label; the EP is one of the highlights of their young catalog. Under the scattershot percussion and foreboding synths are deep grooves that dare the listener not to dance. There are even surprising moments that lift the veil, like the breakdown of the otherwise unrelenting “Bust Broke” that pretty clearly samples Faith Evans’ “Soon As I Get Home.”
[wpaudio url=”https://postcultural.com/wp-content/uploads/2011/05/bustbroke.mp3″ text=”Kingdom – Bust Broke” dl=0]
As alluded to earlier, Kingdom’s love affair with R&B doesn’t stop at a lone Faith Evans sample. He dabbles with baby making music on his remix of Usher’s “Appetite,” and his mix for XLR8R ends with a brilliant mash-up of Girl Unit’s “Every Time” and Ciara’s “Ride.” The latter was just released as a Night Slugs white label, “Ride It Every Time.”
While he can get smooth with rhythm and bass, Kingdom also has a sharper edge. Songs like “Uptown Buck” (on the aforementioned Sounds of NYC compilation) and “Hottest in America” revel in programmed drums, electronic chirps, and vocal slices. With the company he keeps, it’s no surprise that Kingdom makes dance music for all occasions.