Blaqstarr’s Divine EP is a dedication to feminine perfection and an offering to Gaia. But this is still a Blaqstarr record; like previous offerings, it’s hyperactive and sex-charged, albeit built more for the bedroom than the club. Over just six songs, Blaqstarr moves further down the rabbit hole, continuing to push and pull at the confines of Baltimore club music, crafting something more soulful and dramatic than ever before.
Serving as an introduction to the bizarre trip that follows, “All the World” kicks off the EP. Chopped vocal loops and frenetic live drums build to a crescendo under Blaqstarr’s off-time (and ocassionally off-key) crooning. The title track picks up where “All the World” left off, focusing those Neptunesque live drums and bouncy melody. It builds predictably until the mid-song breakdown. Over droning guitars and an underlying Bmore beat, Blaq freaks out with a call-and-response refrain of “Can I lick your ice cream?” Bringing both strands back together is the kind of chaos for which he’s known.
One of the strongest songs on the EP is actually a reworking of a track that has been around since at least 2007. “Rider Girl” is a poignant tribute to deceased Baltimore legend K Swift. Falling somewhere between “Supastarr” and “Automatic Lover” in Blaqstarr’s body of work, the song serves as a bridge between the club music that Swift championed and the new school that Blaqstarr owns and operates.
The strength of the EP is Blaqstarr’s skill in digging deeper into the roots and relatives of Baltimore club, refreshing a sound that is starting to stagnate. “Wonder Woman” is a bluesy jam steeped in P-funk, conjuring images of Blaq armed with just an acoustic guitar. His off-kilter line “she licked the gun / when she done / and said revenge is sweet” and the ghost of a club beat just below the surface are both unnerving and enticing. “Oh My Darlin” is Blaqstarr at his most minimal, featuring only haunting synth lines, wistful vocals, and a Prince meets Kanye rhythm. The EP closes with the even-more melancholy “Turning Out,” a true 808 heartbreaker.
While The Divine might not feature a breakthrough single like “Shake It to the Ground,” it does more to cement Blaqstarr as an essential voice in music – someone unafraid to confront expectations and worship in his own way.